Frankie Goes To Hollywood ‘Welcome To The Pleasuredome’ LP picture disc
artist: Frankie Goes To Hollywood title: Welcome To The Pleasuredome format: 2xLP picture disc design: XLZTT illustration: Lo Cole photography: Anton Corbijn / Peter Ashworth
artist: Frankie Goes To Hollywood title: Welcome To The Pleasuredome format: 2xLP picture disc design: XLZTT illustration: Lo Cole photography: Anton Corbijn / Peter Ashworth
There are lots of props, masks, horns, animals, even a small child, was this all your idea or the brief? Peter Ashworth: “Paul wanted lots
Paul Morley: “I was always very keen on doing an ad that suited the publication, which people thought was mental but, if it was NME
Was this shoot specifically for the album or actually for a magazine and then used on the LP? Peter Ashworth: “I shot them 2 or
Paul Morley: “It was bad enough trying to get away with four sides and the other thing that I wanted to do was the original
artist: Frankie Goes To Hollywood title: Welcome To The Pleasuredome format: 1 pg Melody Maker advert design: XLZTT Photography: Anton Corbijn cat. no: ZTT IQ
artist: Frankie Goes To Hollywood title: Two Tribes format: 1/2 pg Zig Zag advert design: XLZTT photography: Anton Corbijn cat. no: ZTAS 3 date: 04/84
artist: Frankie Goes To Hollywood title: Two Tribes (Keep The Peace) format: cassette ‘singlette’ design: XLZTT photography: Anton Corbijn illustration: n/a cat. no: CTIS 103
Paul Morley: “Anton Corbijn, I built up an early relationship with him, (from the NME days) we were colleagues and we worked together. At the
artist: Frankie Goes To Hollywood title: Two Tribes format: 1/2 pg Blitz advert design: XLZTT photography: Anton Corbijn cat. no: ZTAS 3 date: 05/84
Was a new remix an excuse to write a new set of sleevenotes, a new chapter to the ZTT story? Paul Morley: “Well, it was
Paul Morley: “‘Relax’ had been number one so it was quite late in the day. So I started putting together the promotional material if you
Paul Morley: “Because of Trevor’s inability to complete records on time it meant we were often advertising records that didn’t exist. ‘Two Tribes’ we advertised
artist: Various title: It’s Getting Clearer format: Blitz 1pg advert design: XLZTT illustration: Anton Corbijn / Anne Yvonne Gilbert cat. no: n/a date: 03/84 art
artist: Propaganda title: Dr Mabuse format: Zig Zag 1pg advert design: XLZTT illustration: Anton Corbijn cat. no: ZTAS2 date: 03/84 art of notes: a second,
Paul Morley: “I didn’t want them to be called… ‘cassingles’, because they were obviously ‘singlettes’. How had we ended up with ‘cassingles’? It’s such an
artist: Propaganda title: Dr Mabuse format: A3 poster design: XLZTT photography: Anton Corbijn illustration: n/a cat. no: 12ZTAS 2 date: 27/02/84 art of notes: Some
David Smart: “Apart from that red there these are the colours of Refreshers”. artist: Propaganda title: Dr Mabuse format: 7″ / 12″ single design: XLZTT
Paul Morley: “What an advert – beautiful madness, who on earth let me get away with it ! … those were if not the days
artist: Propaganda title: Dr Mabuse format: 1 pg Record Mirror / No.1 advert design: XLZTT photography: Anton Corbijn cat. no: ZTAS2 date: 10/03/84 art of
artist: Propaganda title: Dr Mabuse format: 12″ single design: XLZTT photography: Anton Corbijn illustration: Anton Corbijn cat. no: 12ZTAS 2 date: 27/02/84 art of notes:
David Smart: “I always loved this one with the Anton Corbijn paintings and that logo with the sword. His photos were a gift really because,
artist: Frankie Goes To Hollywood title: Relax format: Sounds 1/2 pg advert design: XLZTT photography: Anton Corbijn cat. no: ZTAS1 date: 19/11/83 art of notes:
